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NEWS EXTRA

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This segment provides the viewer / reader with news they might have missed and focuses on key issues related to current and past events.  These articles are provided courtesy of our many contributing sources.  We ask that you enjoy these stories and continue your support of beenetworknews, our contributing sources and publishers.

 

Black Girls Disproportionately Confined; Struggle for Dignity in Juvenile Court Schools

National - December 18, 2013

By Monique W. Morris Contributing Source:  America’s Wire 

 

 

Nationwide, African-American girls continue to be disproportionately over-represented among girls in confinement and court-ordered residential placements. They are also significantly over-represented among girls who experience exclusionary discipline, such as out-of-school suspensions, expulsions, and other punishment.

 

Studies have shown that Black female disengagement from school partially results from racial injustices as well as their status as girls, forming disciplinary patterns that reflect horrendously misinformed and stereotypical perceptions.

 

While academic under performance and zero tolerance policies are certainly critical components of pathways to confinement, a closer examination reveals that Black girls may also be criminalized for qualities long associated with their survival. For example, being “loud” or “defiant” are infractions potentially leading to subjective reprimanding or exclusionary discipline. But historically, these characteristics can exemplify their responses to the effects of racism, sexism, and classism.

 

More than 42,000 youth were educated in “juvenile court schools” located in California correctional and detention facilities in 2012, according to the California Department of Education, and a disproportionate number of them were Black girls. In the state’s 10 largest districts by enrollment, Black females experience school suspension at rates that far surpass their female counterparts of other racial and ethnic groups. Little has been shared about these girls’ educational histories and experiences inside the state’s juvenile correctional facilities or out in the community.

 

As a response, I conducted an exploratory, phenomenological, action research study that examined the self-identified, educational experiences of Northern California’s Black girls in confinement using in-depth interviews and descriptive data analysis, among other research activities. The study revealed the following about the educational experiences of confined Black girls in Northern California

 

  • They value their education.  Ninety-four percent of the girls in this study reported their education to be either very important or important to them, and nearly as many said their education was equally as important to their parents or guardians, where applicable.

 

  • They have a history of exclusionary discipline in their district schools.  Eighty-eight percent had a history of suspension, and 65 percent had a history of expulsion from non-juvenile court schools; half cited elementary school as their earliest experience with suspension or expulsion.

 

  • They experience exclusionary discipline while in detention, too.  Almost all had been removed from a juvenile court school classroom, and one-third of these girls believed it was because they simply asked the teacher a question. Two-thirds reported it was the result of “talking back” — but in each case, the student felt she was responding to an unprompted, negative comment made by the teacher. One participant recalled, “She called me retarded in front of the class…I have a learning disability.”

 

  • They have missed a lot of school.  The majority reported having recently missed at least 2 weeks of instruction. Among these girls who missed significant portions of school, 36 percent had removed their court-ordered electronic monitoring device and/or were “on the run” and avoiding a warrant for their arrest. Fourteen percent cited prostitution as a major deterrence from attending or participating in school. For 18 percent, mothering a child under the age of 3 years old made attending school difficult. Over half reported they had been expelled from or had “dropped out” of school.

 

  • They have drug use and/or dependency issues.  Almost all of the girls in this study admitted to a history of smoking marijuana, and 65 percent reported doing so at or just before going to school. Among these girls, 64 percent reported their teachers knew they were high in class – all said there was no action taken by the school.

 

  • Many of them lack confidence in their teachers.  Nearly 60 percent reported a lack of confidence in the teaching ability and/or commitment of at least one instructor in their school, and almost half perceived a teacher routinely refusing to answer specific questions about the material they were learning.

 

  • They are not engaged.  The majority found the coursework to be too easy and perceived it as below their grade level.

 

  • Their school credits do not transfer seamlessly between juvenile court schools and district schools.  Most reported a prior experience in the juvenile court school where this study took place. Among these girls, 57 percent believed that the credits they earned while in detention had not transferred appropriately to their district school; the majority were unsure of their credit status.

 

  • They have goals, but they don’t know how to reach them.  Eighty-eight percent had ideas of their occupational goals, with one-third indicating they would like to be a staff counselor at the juvenile hall. However, 73 percent felt their education was not preparing them for their future.

 

This study’s findings show where future research and advocacy efforts might better interrogate the effects of inferior and hyper-punitive nature of these schools.

 

Notwithstanding their status as “juvenile delinquents” with significant histories of victimization, these girls tended to find a potentially redemptive quality in education. Though most of the girls in this study did not consider their juvenile court school to be a model-learning environment, they generally agreed these schools occupy an important space along a learning continuum that has under-served them. For many of these girls, the figurative lacerations from bureaucratic and ethical failures may leave lasting marks.

 

While our ultimate goal is to prevent more girls from being educated in correctional facilities, these schools should be included in the conversation about equity, not only because are they structurally inferior and failing to interrupt student pathways to dropout or push-out, but because there is a moral and legal obligation to improve the quality of education for all youth — even those who are in trouble with the law. We must continue to explore ways for access to quality education in these facilities more equitable, while improving the rigor of the curricula, such that it is trauma-informed and culturally competent. We must also examine ways to facilitate a seamless reentry of these girls back into their district schools and home communities.

 

Thurgood Marshall wrote in Procunier v. Martinez (1974), “When the prison gates slam behind an inmate, he does not lose his human quality; his mind does not become closed to ideas; his intellect does not cease to feed on a free and open interchange of opinions; his yearning for self-respect does not end; nor is his quest for self-realization concluded.

 

It is a long-standing American value that education is a potential tool to restructure social hierarchies and elevate the conditions of historically oppressed peoples. However, current trends in the administration and function of the juvenile court school may exacerbate many pre-existing conflicts between Black girls and teachers and/or the structure of learning environments. The limitations and challenges of these conditions may nullify the opportunities for improved associations between Black girls, school, and academic performance — antithetical to the stated educational goal of the juvenile court school.

 

If we can improve the accountability and performance of these schools alongside their district counterparts, we will inevitably move toward a more comprehensive approach to reducing the impact of policies and practices that criminalize and push girls out of school. We will, in essence, begin the process of maintaining her human quality — an essential component of her successful rehabilitation and re-engagement as a productive member of our communities.

 

A more detailed version of this article was published in the latest issue of Poverty & Race http://www.prrac.org. Monique W. Morris, Ed.D.  (info@moniquewmorris.com) is the co-founder of the National Black Women’s Justice Institute (blackwomensjustice.org) and author of Black Stats: African-Americans by the Numbers in the Twenty-First Century. (The New Press, January 2014). America’s Wire is an independent, nonprofit news service run by the Maynard Institute for Journalism Education.  Our stories can be republished free of charge by newspapers, websites and other media sources. For more information, visit http://www.americaswire.org or contact Michael K. Frisby at mike@frisbyassociates.com.

Dreamland Burning

 

SOURCE:  First Published as “Dreamland Burning http://ireport.cnn.com/docs/DOC-1057219 on CNN iReport

 

Play Revisits Horrors of Tulsa Oklahoma’s Historic “Greenwood District” Riot

 

“I want American history taught. Unless I’m in the book, you’re not in it either. History is not a procession of illustrious people. It’s about what happens to a people. Millions of anonymous people is what history is about.”

 

James Baldwin – Writer and Activist (1924 -1987)

 

 

Chicago, IL November 6, 2013

By:  George Addison

 

It was on May 31st, 1921 when the Tulsa, Oklahoma “Race Riot” began, and for some 16 hours whites motivated by racial hatred, attacked and assaulted residents of the black community of Greenwood.  The ensuing carnage continued through June 1st, and left in its wake a path of destruction that included, 10,000 homeless blacks, 6, 000 black residents whom were locked up supposedly for their own safety, over 1, 200 residences covering some 35 City blocks destroyed by fire, as well as the burning down of two black hospitals.

 

The catalyst for the riot, was the story that a young black man, Dick Rowland, had assaulted a white female named Sarah Page in an elevator. Rowland denied the accusations but was taken into custody.  Due to an earlier lynching in Tulsa of a white man, blacks feared for Rowland’s life and attempted to offer additional manpower to the sheriff in order to protect him. However, the sheriff refused and sent them home.

 

The back-and-forth of Rowland’s supporters and a mob of angry white men eventually resulted in a shootout between the two groups and the conflict escalated into what has been considered as a heroic effort by blacks to defend themselves and their community, much to no avail.

 

Rumors, incendiary reporting by the newspapers– using phrases like “Nab Negro for Attacking Girl In an Elevator (Tulsa Tribune),” and “To Lynch Negro Tonight (headline used by racist newspaperman Richard Lloyd Jones),” played a major part in spurring the violence that resulted in the killing of innocent men, women and children. Yet, the facts surrounding the incident were never clear, and as a result, many of Tulsa’s residents and Americans, to this day, know very little surrounding the incident.

 

The ultimate irony to this horrific tragedy occurred when airplanes left over from World War I were used to shoot residents and to drop firebombs on the buildings. This also marked the first time in American history where planes and bombs had been used against Americans on U.S. soil. The Oklahoma National Guard’s response was even suspect because of the amount of time it took them to respond. Eventually they did arrive to end the remaining violence.

 

The Greenwood District was known as America’s Negro Wall Street or Black Wall Street and was considered to be the nation’s wealthiest black community at the time due largely to the efforts of black professionals living in the community. Residents of the community included doctors, lawyers, dentists, clergymen, nightclubs owners, movie theater owners, the presence of two independent newspapers, churches and groceries.

 

They even had the ability to raise capital and participated in the oil boom. Everyone in the community contributed to its success and their legacy was totally devastated, burned to the ground and undocumented by history and city leaders. This rarely mentioned event was omitted from many state and local historical records.

 

Wood added, “I felt the responsibility to get this play to community theatres and or universities that could appreciate the subject matter. Many consider the racial conflict as one of the worst acts of domestic terrorism in the history of the United States.”

 

Academy Award nominated songwriter (“Raise it Up”) Tevin Thomas, while growing up in Tulsa, had heard of the story from Mrs. Wilson (now deceased), an older woman who was his neighbor on East Young street in Tulsa. The story and the people’s lives it represented inspired him to write a screenplay and create a musical composition based on those events.

 

Thomas and his friend, Award-winning playwright John Lisbon Wood believed the story and history of the 1921 Tulsa riot had to be told. "We are currently reviewing and looking for collaborative partners and financial opportunities to take the production to mainstream universities and Historically Black Colleges and Universities (HBCU’s), this is a really well done artistic endeavor that will truly enlighten the audience,” said Thomas.

 

Both men are no strangers to the challenge of making their vision of the play a reality. Thomas, over the course of his career, has acted in theatre and worked with or performed with entertainment greats like Jay-Z, Babyface, Robert Flack, Nile Rodgers, Ashford and Simpson, Mary J. Blidge and others.

 

Wood started out as an actor, and appeared in dozens of TV and movie roles including “Magnum P.I., Darkman, Beverly Hills Cop II, Hawaii 5-0, to name a few.

 

As a playwright, Wood wrote the one-man Off Broadway show, “The Rarest Bird,” which was based on the life of Actor Montgomery Clift. In addition, Wood and has been associated with numerous productions, which have received various awards and recognition by film festivals and critics. Together, he and Thomas collaborated on the theatrical production “Dreamland Burning.”

 

Wood stated, “I went ahead and researched the riot thoroughly, and then I wrote the play. It originally was quite long and there were so many fascinating details on the people involved, and the nature of Greenwood and the nature of Tulsa, and the people who lived in Greenwood and their lives such as Captain Jackson, who was a hero during the Civil War; all these people were just amazing."

 

So, with the help of Corya Kennedy Channing, Continuing Lecturer and Director, Purdue Theatre Company (Calumet Branch) Indiana, Dreamland Burning made a successful 2011 debut to a cheering audience. The performance was praised as an important new piece of theatre chronicling the black man’s struggles in America.

 

One Family’s Fight To End Bullying me.

SOURCE:  First Published as “One Family’s Fight Against Bullying”

http://ireport.cnn.com/docs/DOC-1053745 on CNN iReport

 

 

“Advocate for your children, because they are looking for us to stand for them when they can’t stand for themselves.  We can’t be quiet any longer.  We have to reach out - speak out.  But, we have to take a stand for these children and let them know they do have the support to move forward.  Policy makers need to help the bullies as well.  Suspending them is not the answer.  Together, we need to take a stand to help those who need help.”

 

Shanta Miller-Synaker, Founder and CEO

Parents Against Bullying of Virginia, Incorporated

 

 

Hampton, Virginia  Oct 28, 2013

By:  George Addison

 

Bullying is more than a local, national or regionally problem.  It’s a worldwide problem that affects adults and children alike.  Whether verbal, physical or online, bullying is an aggressive, unwanted behavior towards others that involves an overall perceived power imbalance.

 

When youth bully one another, they typically use their physical strength, embarrassing information or popularity to harm or chastise others.  The recent deaths of 15 year-old Felicia Garcia of Staten Island, New York and 12 year-old Rebecca Ann Sedwick of Lakeland, Florida only illustrate how tragic it all can become for the victims of bullying.

 

Felicia Garcia, committed suicide following intense bullying and humiliation by her classmates after she had sex with some football players at a party. She ended her life by jumping in front of a moving train.  Rebecca Ann Sedwick of Lakeland, Florida jumped to her death from an old cement business rooftop after she was terrorized by dozens of girls on social media.

 

Shanta Miller-Synaker, Founder and CEO of Parents Against Bullying of Virginia Incorporated, knows the trauma caused by bullying and personally dealt with the challenges when her then 11 year-old twin daughters Iyana and Keyana were terrorized.  Iyana suffered severe trauma as the result of a physical assault.

 

When one of her twins expressed she no longer wanted to live anymore, this propelled Synaker into action and with the help of her husband, Tracy, she formed Parents Against Bullying. 

 

Synaker, the parent of three daughters, (twins Iyana and Keyana and older sister 19 year-old Shantray) says these scenarios occur too frequently and the fear that parents have for their child’s well being is real.  “Because I have walked in the shoes of those parents whose children have been bullied and were contemplating committing suicide themselves, I can really sympathize and empathize with the parents and families facing this type of situation.  I’m very thankful and grateful that my daughter did not go through with this.  We were able to pray and talk her through it and get her help.  This is why I push so hard.  This is nothing to be played with or taken lightly at all. You definitely have to be that filter, meaning you have to listen to your children and you have to kind of filter out things that may not be important and keep those things that are important.  So I just feel like I need to continue to be an advocate for children and parents because I was that parent and I am still that parent.” 

 

Synaker went on to add, “No parent should have to see their children change from active, vibrant kids to exhibiting depression, the desire to take their own life or withdraw from family and friends.  My daughters were leaving a fundamental private style school setting to begin their first year of middle school in a public school setting.  This is where they began experiencing bullying, starting with their books being thrown out of the windows to physical assault.  My husband, a former school security officer and bounty hunter, nearly shutdown himself as a result of what had happened to his girls.  This event dramatically affected our family and friends.”

 

Synaker further stated, “Since I started this, I used to get parents saying that children always go through this.  But now, because of the national attention, parents now realize the magnitude of the problem and now want to see something done.  Recently, Hampton City Mayor George Wallace honored Synaker with a proclamation recognizing her efforts.  She has also gained support from the Hampton school system and members of the community.

 

Synaker’s daughters are now speaking out and empowering themselves.  Keyana even created a slogan she wants to wear on a T-shirt.  It reads: “I was bullied and I was ashamed, but now I still stand here today.”

 

To help combat bullying in your community or school go to www.StopBullying.Gov for additional information.

SoHarlem; Crafting A New Way of Community Empowerment

SOURCE:  First Published as SoHarlem; Crafting A New Way of Community Empowerment http://ireport.cnn.com/docs/DOC-1052460 on CNN iReport.

 

 

“Art is a moral power … revealing to us a glimpse of the absolute ideal of perfect harmony.”

Edward Mitchell Bannister, Painter

---1914 - 1988

 

New York, NY October 24, 2013

By:  George Addison

 

On the Westside of Harlem a new creative renaissance is underway.  Unlike the previous cultural renaissance of the 1920’s and 1930’s, this one is driven by the forces of economic empowerment and created by women with a vision of developing partnerships that generate cultural vibrancy, commercial viability and economic stability.

 

SoHarlem’s unique social enterprise is steadfastly taking root in the Manhattanville Factory District with the help of local organizations and businesses like Janus Properties and others.  These groups have helped make the dream of affordable spaces for artisans, not-for-profits and small businesses a reality.

 

Janet Rodriquez, SoHarlem Creative Outlet, Founding President and CEO, has a keen and personal understanding of the value and critical importance that the arts play in youth and community development.  Her extensive background in policy, grant making and corporate philanthropy have provided her with the professional skills to navigate the many challenges necessary to create jobs, train local people for employment opportunities, serve residents and tourist.

 

Rodriquez was born and raised in Harlem, which only underscores her commitment to the people of the area and its community goals and objectives.  “I just think that every time there’s redevelopment in a neighborhood that is predominately made up of poor people or people of color, those very people who live in those neighborhoods never benefit, and that’s one of the key reasons I do what I do,” She said.

 

For nearly nine years Rodriquez has gone far and wide to find the best professionals to assist her Artisans.  Recently, she asked Fiber Arts, CEO - Vallorie Henderson, a friend and colleague who worked with her years before at the Kentucky Arts Council, to provide input relative to Crafting.  Rodriquez says that at the time, crafting was beginning to evolve in Kentucky.

 

“The Kentucky Craft market was in its infancy… it was interesting to go back and forth to Kentucky from different perspectives and see how it had grown and I know that Vallorie played a major role in developing the Kentucky Craft scene and in my opinion she is the expert.” 

 

The art of crafting is one of many of the creative entrepreneurial talents utilized by Rodriquez and the SoHarlem Creative Outlet to afford opportunities for local based Master Artisans and Trainees.  These works of art are then showcased online and throughout the SoHarlem premises to generate revenue.  Rodriquez says the works are both functional and wearable, and include items like jewelry, art publications, oils, soaps, designer tiles, plates, quilts, designer framing, walking sticks, textile designs and various other consumable products.

 

Henderson believes the Kentucky connection to SoHarlem is undeniable, “The Kentucky Arts Council is kind of the unifying piece here, Janet use to work for the Kentucky Arts Council, she is reaching out to good folks and business models that she feels most comfortable working in… and utilizing those aspects of it.  

Kentucky has been held up as a national industry standard within the craft world for developing the craft industry and they’re doing it through wholesale.  For me that’s the acknowledgement that I’m looking for is that the way to grow this business is not through doing every festival and fair that’s happening every weekend out there to the public, but it’s developing those wholesale accounts that are long-term and lasting in sustaining a business.”

 

According to Henderson, the experience gave her some insight into the entrepreneurial aspect of Rodriquez’s Creative Outlet.  She stated, “I didn’t understand the employment development component of this organization.  They work with a core group of artisans that they then partner a match with folks from the community that are given an opportunity to receive job training.  That whole job training part of this was the key that I was missing.  So, it’s all about economic development and workforce creation staying in this community. “

 

Henderson further added, “As we are seeing more and more, the business world is thinking creatively; they’re looking to creative business models and saying we can apply that across the board to all kinds of industries.”

 

SoHarlem’s success is anchored on the following three key programs:

 

  1. The Cultural Workforce Program – Janus Properties and community organizations employ unemployed Master Artisans to train resident artists for cultural industry jobs.

  2. Creative Entrepreneurs Program – Entrepreneurs gain access to SoHarlem’s business and creative environment to be a part of the incubation process in order to grow potential markets, conduct test product runs, develop and implement thought out business plans.

  3. Creative Outlet Program – Is the earned income program, which addresses SoHarlem’s community needs via promotion of products created by local master artisans and trainees. 

 

The SoHarlem; Creative Outlet is located in Suite 340, 1361 Amsterdam Avenue, in the Mink Building, in New York.  Rodriguez invites tourist to visit in person or online (www.soharlem.org ) and meet the people who live their passion and make a difference in the community each and every day.

Exceptional People in the African Diaspora 2013 Photo Biennial Exhibit

SOURCE:  First Published as Exceptional People in the 

African Diaspora http://ireport.cnn.com/docs/DOC-1050862 on CNN I Report

 

"The significance of this exhibit is that it gave us a chance to profile some noted African American photographers and to come together as the newly formed Louisville Alliance of African American Photographers (LAAAP).  Our mission is to document the history and culture of African Americans in Kentucky, nationally and internationally."

 

Aukram Burton, Exhibit and Program Chair

The Kentucky Center for African American Heritage

 

 

LOUISVILLE, KY   October 20, 2013

By:  George Addison

 

October marked the kick-off of the 2013 Louisville Photo Biennial Festival.  The event, which runs from now thru December 31, 2013, celebrates photography as an art form and exhibits various works in participating locations throughout Metro Louisville and parts of Indiana.  The 2013 Louisville Photo Biennial focuses on three primary areas of concentration; Historic Works, Generational Works and Exceptional People (the Famous as well as the not so Famous).

 

 

What makes this year’s event uniquely interesting is that it is the first ever collaboration of African-American photographers from Louisville, Kentucky whose work spans nearly thirty years of excellence documenting African-Americans locally, nationally and internationally.  Their exhibit entitled: Exceptional People in the African Diaspora, is on display at The Kentucky Center for African American Heritage (KCAAH), and contains the work of two Pulitzer Prize winning photographers; Keith Williams (a photo-journalist formerly with the Courier-Journal Newspaper) and Sam Upshaw, Jr. (currently a photo-journalist with the Courier-Journal Newspaper).

 

 

I asked retired Courier-Journal Photographer and Pulitzer winner Keith Williams why he felt the exhibit is significant to all who see it?

 

 

“There’s a lot of good history that we haven’t been aware of that this exhibit displays.  For example, Mr. Stith has been in business for 50 years, 95 years old and is just now retiring from the dry cleaning business. There are two boxers that became trainers also exhibited – Fred Stoner who was dedicated to the Presbyterian Community Center for years started in 1927 and worked tirelessly until his passing, and Leroy Edmundson who was a trainer for Greg Page.  Leroy was a nice soft-spoken person, but what knowledge he had he passed on to Greg and he used that knowledge to go on and become heavyweight champion of the world in the WBA.  I hope that when people view these images that they come away knowing that African-Americans are a vested part of America.  You can see it in the various pictures displayed and the dedication of the photographers recording their history.”

 

 

Mr. Stith reflected on his 50 years of service to his community and the importance of relating to people along the way. “Through my lifetime I’ve seen such tremendous change and as you travel through life, you try to do the best you can.  You try to be a friendly, agreeable, peace loving individual that likes to meet people and share stories about their upbringing and different places that they’ve been and things like that.  We talk a lot about family friends and normal things.” 

 

 

Other participating photographers taking part in the 2013 Louisville Biennial include; Aukram Burton, Eddie Davis, Bud Dorsey, Jack Norris, Marvin Young and George Williams.

SOURCE:  UPI International

 

JERUSALEM, Oct. 7, 2013

By MARGOT DUDKEVITCH

 

Israeli President Shimon Peres called on the Council of Europe to reconsider a resolution against male circumcision in Europe.

 

"I was sorry to hear of the recent resolution stated by the Parliamentary Assembly of the Council of Europe on the issue of the ritual of male circumcision practiced by Jewish and Muslim communities," Peres said in a letter Monday to Thorbjorn Jagland, the council's secretary-general.

 

Details of the letter were released by Peres' office.

 

"The ritual of male circumcision has been practiced by Jewish communities for thousands of years and is a fundamental element of our tradition and obligation as Jews," Peres said. "The Jewish communities across Europe would be greatly afflicted to see their cultural and religious freedom impeded upon by the Council of Europe, an institution devoted to the protection of these very rights. I therefore urge members of this distinguished assembly to reconsider this resolution."  READ MORE 

 

SOURCE:  Courtesy - American Forces Press Service

 

WASHINGTON, Oct. 6, 2013

By: Army Sgt. 1st Class Tyrone C. Marshall Jr.

 

The Defense Department's top financial official provided details on which DOD civilians would and wouldn't be able to return from furlough following Defense Secretary Chuck Hagel's determination some could return under the Pay Our Military Act.

  

Robert F. Hale, DOD comptroller and chief financial officer, first and foremost, emphasized that the defense secretary values all DOD employees and views their jobs as critical, even though some will be unable to return immediately, and described it as a "painful" decision.

 

"They do essential and important work, and I want to underscore that, but it is less directly related to military [support]," Hale said.

 

In a couple of cases, he noted, certain areas simply were not covered by POMA, which was signed into law on Sept. 30.  READ MORE

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